Revolution 2000

The project explores the digital revolution of the 2000s, using the flickering image of a CRT television as a starting point for reflecting on the state of contemporary imagery. By juxtaposing outdated analog technology with advanced cinematic tools, it creates a tension between past and present—between the materiality of the image and its contemporary, nearly elusive nature. The work abandons narrative in favor of abstraction, treating the screen as a space where the boundary between illusion and experience dissolves.

I interpret this shift through the lens of a desire to retreat into an inner world—formally suggested by the transition from the television medium to experimental film, a form that has almost always carried a deeply personal character.

In a world oversaturated with images and information, the piece offers an alternative path: an immersion into the fluid structure of flicker, which nullifies linear time and restores the image to its original, ambiguous form.

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